The most extensive new collection in this field published in more than three decades, English Renaissance Drama: A Norton Anthology surveys the astonishing, and astonishingly varied, dramatic works written and performed in Elizabethan and Jacobean England. Popular in their own time, the 27 plays included here—by Christopher Marlowe, Ben Jonson, John Webster, and Thomas Middle...(展开全部)

The most extensive new collection in this field published in more than three decades, English Renaissance Drama: A Norton Anthology surveys the astonishing, and astonishingly varied, dramatic works written and performed in Elizabethan and Jacobean England. Popular in their own time, the 27 plays included here—by Christopher Marlowe, Ben Jonson, John Webster, and Thomas Middle...(展开全部)

Shakespeare is a towering presence in English and indeed global culture. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparklin...(展开全部)

Shakespeare is a towering presence in English and indeed global culture. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparklin...(展开全部)

Shakespeare is a towering presence in English and indeed global culture. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparklin...(展开全部)

Shakespeare is a towering presence in English and indeed global culture. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparklin...(展开全部)

(英国)弗雷德里克·威廉·梅特兰 (英国)约翰·汉密尔顿·贝克 译者：易继明 杜颖 弗雷德里克·威廉·梅特兰(Frederic William Maitland)，林肯律师公会律师，法学博士，罗马法法学博士，剑桥大学英格兰法唐宁讲席教授。 约翰·汉密尔顿·贝克爵士(Sir John Hamilton Boker)，剑桥大学英格兰法唐宁讲席教授，不列颠学院院士(FBA)。 易继明，法学博士，北京大学法学院研究员。 杜颖，法学博士，华中科技大学法学院教授。

From Raina Telgemeier, the #1 New York Times bestselling, multiple Eisner Award-winning author of Smile and Sisters! Callie loves theater. And while she would totally try out for her middle school's production of Moon over Mississippi, she can't really sing. Instead she's the set designer for the drama department's stage crew, and this year she's determined to create a set wort...(展开全部)

In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance r...(展开全部)

In this widely anticipated book, two leading contemporary art historians present a stunning reconsideration of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts...(展开全部)